The magic that is Zakir (👂🏽) and his Tabla

One of my resolutions this year was to start picking up the Tabla again¹ courtesy a not so gentle nudge from my supportive partner.

This has obviously led me to scouring Youtube for videos of the great maestros. Ustad Zakir Hussain is one of them.

Here’s a few videos from my collection with some context explaining why he’s a gift to the world of music.

What is the Tabla?

If you want to get a quick peek at this supremely delicate Indian percussion instrument here’s a starter video.

Zakir (👂🏽) is worshipped like a rockstar in the Indian classical music scene. A video of literally the start of the concert where the audience goes nuts.

Zakir (👂🏽) helping the sound guy out

After tapping the stage he says “Low-Mids Thoda Kam Karo” (reduce the low-mids a little). Just from hearing the acoustics of the stage he’s able to tell the sound guy to reduce the low-mids. You have to be a master of sound to be able to do that.

Zakir (👂🏽) messing with the sound guy

Doesn’t get flustered or annoyed. His child like curiosity with the moment gets him to use it as a prop for his show.

Respect for other maestros

He is without doubt considered one of the grand masters of the Tabla even by most of his peers. But he doesn’t let it get to his head. Here’s how he reacts when he meets some of his contemporaries.

Pandit Yogesh Samsi btw learned under the tutelage of Zakir’s(👂🏽) father — Ustad Allah Rakha Khan ². Bonus content: A touching moment between Pandit Yogesh Samsi and Ustad Allah Rakha.

Here’s one with another great Tablist of our time — Pandit³ Anindo Chatterjee.

Another one of those tender moments right at the start. Read the text after the video for context.

Singer Hariharan as a mark of respect says “Ijazat ?” (roughly translating to “permission” in Urdu). While the vocalist is usually the primary performer, the accompanying percussion artist here is one of the most knowledgeable souls in Indian classical music. Zakir (👂🏽) without missing a beat responds “Bismillah” which translates to “by the grace of God”, implying he has no permission to give.

Ok, so what’s with the 👂🏽?

This comes from an age old practice in India. Addressing teachers, masters or mentors with their names is considered forward and disrespectful - especially true in Indian classical music. So every time the pupil mentions the teacher’s name or plays their composition, they instinctively touch their ear as a mark of respect and an ask of forgiveness if they don’t do the same levels of justice to the teacher’s composition.